Monday, May 3, 2010
Thursday, April 29, 2010
Though the Tabla is a fairly well known drum, many Western percussionists choose not to explore the drum’s extraordinary abilities. This is usually because a good Tabla set is hard to find, expensive, and difficult to learn. Unfortunately, this means that there are a large number of drummers who are neither familiar with the musical ability of the Tabla nor the potential of their drumming. Try to develop a new understanding of the place of percussion in music. Watch these skilled Tabla players use their drums to create complex beats while controlling the song’s melodies, and try to incorporate this new style into your drumming.
This is a short clip of one of the most famous Tabla masters, Zakir Hussain, playing at a concert with a backup Tabla and an Indian string instrument that i am not familiar with. Listen to how the different sounds that a Tabla can make are used to keep a steady beat for the other musicians and dictate part of the melody of the song. Zakir Hussain does this easily while adding his own personalized touch to the song.
The video below is of Zakir Hussain when he was much younger. This one also shows the Tabla master playing the drum beat and melody simultaneously by using the variety of sounds that the Tabla is able to make. In this duo, the string instrument, which i am again not familiar with, is playing a steady, repeated melody. Hussain steals the show my performing an incredible solo while modifying the simple melody offered by the string musician.
Watch this one too
http://www.youtube.com/watch?v=vxtn1twhC34
This is a fantastic clip which is unfortunately too long to load onto the blog as a video. I would highly recommend watching at least the first five minutes of this video because the sitar player (Rupinder Panesar) and tabla player (Danju Sahai) work very well together at creating a melody. Try to notice how the deep bass tones and the high tones from the tabla are built into the melody of the song.
This is a fantastic clip which is unfortunately too long to load onto the blog as a video. I would highly recommend watching at least the first five minutes of this video because the sitar player (Rupinder Panesar) and tabla player (Danju Sahai) work very well together at creating a melody. Try to notice how the deep bass tones and the high tones from the tabla are built into the melody of the song.
Wednesday, April 28, 2010
Tuesday, April 27, 2010
The Tabla is often found accompanied by a Sitar. After three of my friends got back from spending six months in India, they were hoping to introduce the music they had learned overseas. These were taken at a coffee shop in Connecticut last summer.
John Hartmann playing his Sitar. As you can see, the sitar is a large string instrument with many strings. It is often found being played with a Tabla and in Classical Indian music.
Below, you can see Ian's Sitar has been temporarily replaced with a Ukulele. This is a much smaller string instrument, and is not typically played with any Indian instruments.
Jon Hartmann on Sitar, Ian Engelberger on Sitar and Ukulele, Zack Stein on Tabla
John Hartmann playing his Sitar. As you can see, the sitar is a large string instrument with many strings. It is often found being played with a Tabla and in Classical Indian music.
Below, you can see Ian's Sitar has been temporarily replaced with a Ukulele. This is a much smaller string instrument, and is not typically played with any Indian instruments.
Jon Hartmann on Sitar, Ian Engelberger on Sitar and Ukulele, Zack Stein on Tabla
These are photos of percussion master John Marshall with his Tabla. These photos give a better view of what the Tabla looks like and how you play them. As you can see in all three pictures, John’s wrist is resting over the larger drum. As you are watching the videos, notice the deep sound that comes from sliding this wrist across the drumhead.
Look below at the different layers of the drumhead, especially the Syahi (black spot), which is one of the main reasons the Tabla is able to produce such melodic, clean-sounding tones.
In the first and third picture, try to notice the wooden pegs that the leather straps secure to the body of the smaller, wooden drum. Moving these pegs tunes the drum.
Look below at the different layers of the drumhead, especially the Syahi (black spot), which is one of the main reasons the Tabla is able to produce such melodic, clean-sounding tones.
In the first and third picture, try to notice the wooden pegs that the leather straps secure to the body of the smaller, wooden drum. Moving these pegs tunes the drum.
Monday, April 26, 2010
Although the audio and video of this clip do not match up, this is an incredible performance. This Tabla solo is one of the better example i have seen of a drum creating a melody. Notice how 2:20 minutes in, he uses one hand to keep the melody going while he rests his other hand. Seconds after, he taps on the side of the drum and the pitch of the song gets higher. When he tunes the tabla, there is a much more noticeable change to the song than while tuning a drum in Western music, because the tabla is creating the foundation of the melody and beat.
Thursday, February 4, 2010
¿Qué tal? ¿Cómo están tus clases? ¿Tienes un compañero de cuarto? Yo asisto a la Universidad de Colorado en Boulder. El nombre de mí compañero de cuarto es Alex. Él es comico y él te gusta beber cervezas. Tomo cuatro clases este semestre. Mí clase favorita es español. Las clases dificiles son publicista y nutricón. Tengo mucha tarea para las clases dificiles. La otra clase es el inglés. El tiempo de Colorado no es regular. Hace frío un día y calor el próximo día. Me gusta la Universidad de Colorado. ¿Tienes la solicitud de la Universidad de Colorado?
Adiós,
Farsh
Adiós,
Farsh
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